Vor dir bitterlich (2022), string quartet - approx. 7’30’’ (yet to be performed)

Never Very Far (for papa and mama, 2022), string quartet - approx. 7’ (yet to be performed)

Only a Hand (2022), string quartet - approx. 4’ (yet to be performed)

Walk/Don’'t Walk (2022), reed quintet - approx. 3’ (yet to be performed)

A Missile (2022), string quartet - approx. 4’ (yet to be performed)

Not Hoping But Waiting (2022), saxophone quartet - approx. 3’ (Nederlands Saxofoon Octet)

Every Four Minutes from Now On (2021), saxophone quartet - approx. 4’ (Nederlands Saxofoon Octet)

Dalang (2021), string quartet and percussion - approx. 4’ (yet to be performed)

Sleeping Cows also Count (2021), two theremins - approx. 4’30’’ (yet to be performed)

Paraati (2021), wind quartet - approx. 2’30’’ (yet to be performed)

A Miniature Vanishing (2021), string quartet - approx. 5’ (Nederlands Saxofoon Octet)

Fil mishmish (2021), string quartet - approx. 16’ (ADAM Quartet)

• A Blind Man - approx. 6’30”

• Yves’ Tree After Ninety Years - approx. 4’30”

• شرقية‎ - approx. 5’

Marmaírō (2021), string quartet - approx. 4’ (yet to be performed)

Everything Sometimes Too (2021), string quartet - approx. 2’30” (yet to be performed)

People and Things (2021), violin and soprano saxophone - approx. 7’30” (Merel Vercammen and Femke Ijlstra)

In te Domine speravi (2021), choir - approx. 5’ (Nederlands Kamerkoor)

My father thinks of my mother (2020), organ, text by Berend Dubbe - approx. 4’ (Hampus Lindwall and Berend Dubbe)

Great light (2020), saxophone solo - approx. 2’ (Kika Sprangers)

Last call, cleaning the bar (2020), saxophone solo - approx. 2’30’’ (Kika Sprangers)

Fons amoris (2020), choir - approx. 4’30” (Nederlands Kamerkoor)

Stabat Mater (2020), choir - approx. 7’ (Nederlands Kamerkoor)

Bright Edge Deep (2020), string quartet - approx. 23’30” (Alma Quartet)

• The plough - approx. 2’30”

• Its low sills - approx. 8’30”

• Wicklow also - approx. 5’

• The block split - approx. 5’

• Bright edge deep - approx. 5’

Redshift (2019), two marimbas and two vibraphones - approx. 11’ (Mallet Collective)

September (2019), saxophone quartet - approx. 16’ (Nederlands Saxofoon Octet, Amstel Quartet)

• September I - approx. 7’

• September II - approx. 1’30’’

• September III - approx. 3’

• September IV - approx. 4’30’’

7 (2019), inspired by Beethoven’s allegretto, solo piano or saxophone quartet - approx. 5’30’’ (Sarah Neutkens, Amstel Quartet)

Other Echoes (2019), string octet - approx. 20’ (Dutch String Collective)

In Solitude (2019), string octet, string orchestra - approx. 4’30’’ (Phion, Dutch String Collective)

Bargain and Bid (2019), string octet - approx. 2’30’’ (Dutch String Collective, Ensemble Ruspoli)

I Saw a Crowd (2019), string octet - approx. 3’ (Dutch String Collective)

VI (2018), solo piano - approx. 1’ (Sarah Neutkens)

Cumulus (2018), piano trio or solo piano with loopstation - approx. 3’ (Sarah Neutkens)

Utrecht, 11:15 (2018), solo piano - approx. 2’ (Sarah Neutkens)

Rigel (2017), solo piano - approx. 5’30’’ (Sarah Neutkens, Camiel Boomsma)

Victoria (2016), piano and clarinet - approx. 7’ (Sarah Neutkens and Tim Huybregts)

Inferno (2016), solo piano - approx. 4’30’’ (Sarah Neutkens)

Inferno (2016), string octet - approx. 4’ (Dutch String Collective)

Hexagon (2014), solo piano - approx. 6’ (Sarah Neutkens)